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Hey there,

hopefully you are sufficiently intrigued with DiveAdvisor to become a member and see it in action


Much like a facebook page - you need to first have a personal account through which you can login and manage the business page.

After creating a personal account, you will be directed to 'My Dive Shop' section where you can claim existing listing or create a new one.

Got It


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Rico Besserdich

CMAS, Three Star Instructor




Photographer since 1978, diver since 1997. Aquatic photographer since 2001. International Director of Underwater Photography Department at DIWA, Diving Instructor World Association. Member of the Ocean Artists Society. Professional uw photographer for quite some years. Dive instructor since 1999, now course director.

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    Druart Manuel (padi830917) I'm a PADI Instructor from Belgium and currently work in Okinawa Japan. I love underwater photography ! Kerama Nation Park is a very beautiful place to go dive, the corals are amazingly beautiful as the wildlife ! The visibility is around 20-30m all year long and goes up to 50m in the summer ! All pictures are taken by myself. Contact me @ padi830917@gmail.com

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End Of Media Stream

Posted on: January 25, 2019

Sub2o Post


articlaTitle

Underwater Photography: Shooting Panoramas

Are you ready for huge perspectives in your underwater photographs? Wide-angles are fine but do you want it even wider? Time to check out underwater panorama photography!


Posted on: November 23, 2018

Sub2o Post


articlaTitle

Underwater Photography: Shooting Common Subjects In A Different Way

Dived the same dive spot over and over again? Know every fish, stone, and coral by name? Find out how you can shoot common subjects in a different way. Creativity is the key!


Posted on: July 14, 2017

Sub2o Post


articlaTitle

Underwater Photography: Mindset Development Part 2

Distracted by too many things while shooting underwater images? Let's work on a mindset! Part 2 of the series: During the photo dive.


Posted on: May 19, 2017

Sub2o Post


articlaTitle

The Final Touch: Post Production of UW Images (Part 8: Cropping)

Cropping is one of the most frequently used steps in postproduction of underwater images, and it can drastically improve the final result of your image. But not always! Read here about when, why, and how you should crop photographs.


Posted on: May 5, 2017

Sub2o Post


articlaTitle

The Final Touch: Post Production of UW Images (Part 10: Proper Exports)

The job is done; we have finally completed the postproduction of the underwater image! But now, how do we safely export it for internet use, printing, or for more editing later? Here are some hints for proper exporting.


Posted on: April 28, 2017

Sub2o Post


articlaTitle

The Final Touch: Post Production of UW Images (Part 9: Sharpening)

Sharpening is an essential step in the workflow of editing underwater images, and as it is also the last step, it can give your underwater photographs the final kick.


Posted on: April 14, 2017

Sub2o Post


articlaTitle

The Final Touch: Post Production of UW Images (Part 7: Vivid Colors)

Why do some underwater photographs result in punchy, vivid, and eye-pleasing colors, while others don't? In some cases, you can achieve that final boost of colors in post production.


Posted on: March 31, 2017

Sub2o Post


articlaTitle

The Final Touch: Postproduction of UW Images (Part 6b: Advanced Retouche)

When it comes to fine steps of post production of our underwater images, Adobe Photoshop provides some powerful tools for advanced retouching works. Meet those tools here!


Posted on: February 17, 2017

Sub2o Post


articlaTitle

The Final Touch: Post Production of UW Images (Part 6a: Retouche Basics)

Sometimes, an underwater image needs a little retouching in digital post production, mostly when distracted by backscatter. Here's how to get rid of those annoying backscatters!


Posted on: February 3, 2017

Sub2o Post


articlaTitle

The Final Touch: Post Production of UW Images (Part 5: Fixing Color Casts)

Color casts are one of the most annoying problems underwater photographers have to face. Everyone knows and hates these blueish-greenish colors. Here's an advanced method to fix that.


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